Planning the best decorative investment you’ll ever make…an investment in yourself and your family’s heritage.
About clothing, colour, tone and style
When more than one person is to appear in the portrait, or when a special stylistic effect is desired, clothing and prop choices can make or break a portrait.
Skin tone considerations
Whether working with light ir dark complexions, the objective is for the face to dominate the portrait. Accordingly, skin highlights must be the lightest or brightest, most intense areas of the portrait. So, when a medium to dark background is used, all subjects photograph best in medium to dark tones, whatever the skin tone.
Clothing for small groups
Couples or small groups should choose simple garments within the same tonal ranges. When subjects appear in a mixture of light and dark tones together, there is a visual confusion – as the light colour comes forward and the dark colours recede. When this happens (e.g.) one person dominates and appears heavier than in reality.
Clothing for families
In a family group, proper clothing consideration is critical. When decorating a home a major consideration is to coordinate the colours and tones of the walls, carpets, drapes and furniture. Similar coordination is necessary when selecting clothing for a group portrait. Choose clothing in the same tonal ranges so that no single member of the family stands out because the clothing is too light or bright as compared to the rest of the group.
Proper clothing selection makes the difference between a portrait that appears to be a group of seemingly unrelated individuals and one in which every member of the family “belongs” to the group. Casual clothing compliments portraits made in outdoor environments.
Creating style and personality
Your goal is to create portraiture as individual as the subjects we photograph. Tools include various styles, techniques and settings that make each portrait a unique artwork.
PART 10 – On the subject of Composition – Geometry, Symmetry and Perfect Proportion…
So, what are the visual elements that make a great composition? My contention is that our pre conditioning as human beings makes us deeply receptive to all of the elements of geometry that surround us in our daily lives. It is how we bring together elements within a photographic image that makes it either pleasing or displeasing. The phrase, “What’s the point?” springs to mind. For if the compositional elements fail to draw the viewer to the critical viewpoint, or more familiarly, the point of the image, then it has in truth, failed.
To briefly examine the compositional elements and tools I will refer to a useful and ancient text. A point. The first mark an artist makes on his canvas? The point of view? The critical point of interest?. It is undoubtedly the beginning and the end of an image, the ‘whole point’ if you like. In progression, once the artist has made his first mark this often extends into a line.
Lines are like railroad tracks or Motorways. They take you from point ‘A’ to point ‘B’ where you know point ‘B’ exists even if you cannot see it!. This is manifested in many ways in an image as a ‘Vanishing Point’ or simply a line that leads us directly to where we as artists, wish the viewer to arrive at the critical point. A careful use of ‘Leading Lines’ within an image makes for a very powerful composition indeed.
Lines when joined together in a two dimensional form become surfaces or ‘superficie’ and surfaces in turn, when joined together in a geometric manner become solids perceptually when directional light is applied thereby resulting in a graphic two dimensional form emerging into a three dimensional vision. Therefore, directional light combined with strong lines, surfaces and points have become the essential elements of any composition. That is the beauty of Geometry, Symmetry and Perfect Proportion. Nothing new. Nothing uniquely photographic. Just the knowledge of the “Ancients” continuing to play its part in the 21st Century.
‘Freefall Continuous Professional Development Photographic Mentoring Programme’
- Camera Craft
- Gadgets & Accessories
- Natural Lighting
- Natural Lighting with Reflectors
- Studio Flash
- Off Camera Flash on Location
- Balanced Lighting Techniques (OCF and Ambient)
- Continuous Lighting
- Ice Light
- Balancing Interior Light with Supplementary Light for Mood
- Basic Compositional Skills
- Advanced Compositional Skills
- Designing an Image
- Basics of Posing
- Advanced Posing Techniques
- Command and Control Techniques
- Creative & Art Direction
- Angles and Curves
- Advanced Visual Choreography
- International Judging & Scoring Systems
- The Art of Self Appraisal
- Practical Judging Experiences
- Preparing Images for Qualifications
- Preparing Images for Awards
- Simple Retouching Techniques
- Working with Nik Software
- onOne Software
- Image Compositing
- Introduction to Photokey 6 Professional
- Introduction to Hit Film Pro for Video
- Layers & Textures
- Photographing Babies & New Borns
- Photographing Children
- Family Portraiture
- Environmental Portraiture
- Grunge Portraiture
- Tweens & Teens
- American Style High School Seniors
- Proms & Events
- Chromakey Portraiture
- Fairies & Ragamuffins
- Cosplay & Steampunk
- Corporate Portraits in the Studio
- Corporate Portraits on Location
- Sports and Hero Portraits
- Basics of Efficient Wedding Photography
- Advanced Wedding Photography
- Post Wedding Portraiture & Location Shooting
- The Basics of Scripting
- Shooting Simple Rushes
- Light & Sound
- Basics of Video Editing with iMovie
- Creating your own Promotional Movies
- The Basics of a Photography Business
- Business Plans
- Market research
- Creating a Price List
- Marketing & Promotion
FMPA, FRSA,Hon.FMPA, ABIPP, QEP, Hon.Master Photo-dk, Cr.Photog.PPofAmerica, MPP MPofCanada, etc
Worldwide Ambassador for HIPA & Chairman of Judges CBRE Urban Photographer of the Year
Past National President of the United Kingdom Master Photographers Association
Past Chairman of the Admissions & Qualifications Board
Past Federation of European Professional Photographers (FEP) Director of Education
International Committee Member & Recipient of the Warren Motts International Award of Professional Photographers of America
Member of ‘Team Nik International’
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Wacom European Evangelist & Past Nikon UK Trainer and Evangelist