Themed Portrait Workshop – The Peak District, Derbyshire – 2 PLACES REMAINING

This intimate, hands on workshop will take you on an exciting journey of creating beautiful themed costume portraits inspired by classic romantic literature, on locations in the stunning Peak District of Derbyshire. With only two places left its a perfect opportunity to expand your knowledge and skills under expert supervision.

An example of a themed costume portrait entitled "Immortal Love". Shot on location in Pembrokeshire as a poetic illustration.

An example of a themed costume portrait entitled “Immortal Love”. Shot on location in Pembrokeshire as a poetic illustration.

“I will instruct you how to see and use beautiful natural light, control it and create visually powerful images that will be transformed from your camera, into photographic art. Using the themes of period romantic literature I will teach you how to pose your subjects, placed within rugged and dramatic locations, to not only complement your subject but to tell your story.”

What you will learn
  • How to plan your shoot and tell your story
  • How to use natural light and shade to create stunning images.
  • How to select backgrounds and environments to bring interest, emotion and drama into your photographic artworks.
  • How to find flattering and interesting perspectives through the art and science of physiognomy.
  • Getting it right in camera.
  • Which lens(es) to choose and why.
  • Effective techniques to create a rapport with your subjects with true storytelling images.
  • How to create a unique portrait experience in your day to day work and look to compliment each subject’s personality and style.
  • How to use wardrobe and posing to bring out the drama and personality of your subjects.
  • How to create ‘Photographic Art’ through creative processing techniques.
What you will need
  • A DSLR with a full battery and empty memory card and a reasonable understanding of how to use your camera and its settings.
  • A laptop to download and edit your images
  • Any lenses or accessories you want to use.
  • A handheld reflector if you have one.
  • An umbrella if it looks like rain.
  • Practical clothes and shoes you can easily move around in.
WHEN – Sunday 24th & Monday 25th July 2016 from 10:00 AM to 5:00 PM each day
WHO FOR – Any Photographer or Aspiring Photographic Artist, Painter, Poet or Author wishing to expand their skills
WHERE – Locations in The Peak District National Park, Derbyshire.
WORKSHOP PLACES – are available at only £495.00. Secure yours with a £100 deposit today. Only TWO LEFT!
email at: mgrahamedunn@mac.com
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Ahmed Gaber – Aged 19 – A young Egyptian Photographer with something to say

The next in my series of constructive critiques of the work of young Egyptian photographers. When I asked Mohamed Mahdy to arrange this I could not have hoed for a more enthusiastic group of young people.

Ahmed Gaber text

This image entitled “Break Time” shows great insight and a natural flair for composition in its simplistic, documentary approach. It just goes to show that his opening statement is humble as he clearly demonstrates a budding talent with a good eye for an image.

"Break Time" by Ahmed Gaber, aged 19 from Egypt

“Break Time” by Ahmed Gaber, aged 19 from Egypt

Even thought there are differing points of subject engagement and interest, Ahmed has worked hard on subject placement within the frame and constraints of his DSLR. All to often we hear the terms “fill the frame”, but to do so effectively one should ensure that the content is properly constrained. He has grasped the premise that space around subjects is golden. To enable them to live and breathe giving life and credibility to the animation. ‘Street’ images of this kind are not all about exercising absolute control of your subjects. Rather to affect the composition by placing yourself in the right place and controlling the content of you capture. Well done Ahmed, I can some great images will emerge from this young image maker.

 

Martin Grahame-Dunn – April 2016

From my Mentee – Allen Thomasson LBIPP

Thanks to my Mentee, Allen Thomasson of Timeless Portraiture for this testimonial…
I discovered Martin completely by accident whilst reviewing some business webinars on the Imagefile website. His no nonsense approach to business and photography was refreshing and I thought that is what I need, clear concise advice and critique. So I joined Martins’ Mentoring Programme in April 2015 and can say it is the best thing I have done for my photography and confidence as a photographer. 
With Martin’s support and guidance, I submitted a panel of 5 portraits for the BIPP National Photography Competition in October 2015. In February I attend the awards evening at the BIPP HQ and was chuffed to be awarded joint winner of the Provisional Photographer of the Year 2016. I was also successful in gaining my L’ plates on 3rd March 2016 when my panel of 25 portraits was assessed and awarded my Licentiateship (LBIPP). I really believe that I would not have achieved this without Martin.
Martin is a great teacher; putting you at ease, generous with his knowledge and skills of the craft and encouraging  you to constantly improve and learn. When creating portraits I now hear a voice saying ”Step back. Don’t zoom”, “lighting; Flag it! Vary it!”. 
Do your photography a favour and ask Martin to mentor you and realise your potential. Thank you Martin.
Allen Thomasson – April 2016

New Testimonial – Darren Powell

Fun and games at the reception - Darren Powell taking centre stage!

Fun and games at the reception – Darren Powell taking centre stage!

When a testimonial says it all…..

“I may be biased, but I would argue that Martin is the best mentor/photography trainer out there! I first met Martin on a natural lighting course he ran 2 years ago and his passion and knowledge blew me away. Martin is extremely talented and has a rare ability to not only take great images himself but dramatically improve those of others. The development of my images over a short period of time has been nothing other than remarkable. If your looking at developing your photography skills or need ongoing support I would highly recommend any courses or workshops ran by Martin”

Darren Powell – 2016

Two Day Literary Themed Photography Workshop – 24th & 25th July 2016

My lady in a Jane Austen themed portrait, shot in a strong, cold wind!

My lady in a Jane Austen themed portrait, shot in a strong, cold wind!

This intimate, hands on two day workshop is limited to just 8 participants. It will take you on an exciting journey of creating beautiful themed costume portraits, inspired by classic romantic literature, on location in the stunning Peak District of Derbyshire.

The workshop will be held on Sunday 24th and Monday 25th July 2016 with a literary classics theme inspired by the authors Jane Eyre and Charlotte Brontë. The imagery will be created with the expert supervision and guidance of internationally acclaimed Photographic Artist and Trainer, Martin Grahame-Dunn. In essence, costumed environmental portraiture where the mastery of light, posing and composition will be developed. 
Martin will instruct you how to see and use natural light, control it and create visually powerful images that will be transformed from your camera, into photographic art. He will teach you how to pose your subjects, in various locations, to not only complement your subject but to tell your story.
This workshop will have a significant impact not only on those who simply love photography and want to explore their creative side, but for all levels of photographers from enthusiasts, amateurs as well as practicing Wedding & Portrait photographers wishing to push their boundaries. For beginners, support will be provided so don’t worry, he will not let anyone feel out of their depth.
What you will learn
  • How to use natural light and shade to create stunning images.
  • How to select backgrounds and environments to bring interest, emotion and drama into your photographic artworks.
  • How to find flattering and interesting perspectives through the art and science of physiognomy.
  • Which lens(es) to choose and why.
  • Effective techniques to create a rapport with your subjects.
  • How to create a unique portrait experience in your day to day work and look to compliment each subject’s personality and style.
  • How to use wardrobe and posing to bring out the drama and personality of your subjects.
  • How to create ‘Photographic Art’ through creative processing techniques.
What you will need
  • A DSLR with a full battery and empty memory card and a basic understanding of how to use your camera and its settings.
  • A laptop to download and edit your images
  • Any lenses or accessories you want to use.
  • A handheld reflector if you have one.
  • An umbrella if it looks like rain.
  • Sensible clothes and shoes you can easily move around in.

Both days will encompass briefings, literary themes to inspire the images, shooting sessions, creative retouching and presentation as well as a wind up group session to discuss the day. It will also include an Album Epoca ‘Event Book’ designed and compiled by Martin Grahame-Dunn containing a selection of images from the day, lighting diagrams and other information. It will also include picnic lunches and refreshments.

Bookings are being taken now with a £100 deposit per person. Contact Martin at mgrahamedunn@mac.com or katehughes.mgd@gmail.com to secure your place.

WHEN – Sunday 24th & Monday 25th July 2016 from 10:00 AM to 5:00 PM each day 
WHERE – Hope, The Peak District National Park, Derbyshire.
WORKSHOP PLACE – £495.00

Photographers – Artists or Tradesmen? – Part One

Only a few short months ago in London, when the Sun was sort of shining, on and off,  meeting my best friend from school and walking around the National Gallery was a wonderful way to recharge life’s batteries and put many things into perspective. Recently I have had many people ask me what photographers have influenced me creatively and my answer is always the same….none. It’s not that I don’t have respect for fellow professionals past and present or admire their work, it’s way more than that. Let me first ask who or what are photographers in the 21st century? Surely if there had been cameras around in the Renaissance or the Baroque, wouldn’t they simply be called artists? Isn’t a camera simply another tool of capture and expression as much as a paint brush, palette knife or canvas? Wouldn’t they have been driven, patronised and commissioned by exactly the same people back then? Those being the Church or the extraordinarily wealthy wishing to commemorate their status in society and buy their way to immortality via the Pearly Gates?

What made them artists in those halcyon days was their use of light and its importance in showing a three dimensionality to their subjects. So if I have to identify a great difference, then it would be that on the whole, photographers have extremely poor lighting skills and simply forget that our art and craft is all about flattery! I think if Lorenzo de Medici commissioned your average photographer back then, it would not have been long before their heads adorned spikes in St.Mark’s Square! So here’s a wake up call to all those who have poor or no skills and scream “It’s all about expression and the moment”. How wrong can you be and if only it were as simple as that!

I remember my first day on my Fine Art Foundation Course just like it was yesterday. A bunch of enthusiastic, idealistic Art students proudly turn up with mahogany boxes loaded with Windsor & Newton oil colours, palette knives, sable and hogs hair brushes only to have them gathered up and locked away in a cupboard. Our tutor, a crazy Yorkshireman called John Yeadon, whose idea of a holiday was throwing stones at the troops in Chile, travelling with his beloved Cello and wrinkled clothes crammed in its battered case, handed us each a toothbrush with the immortal words “You buggers will learn to see light in all it’s beauty AND learn to paint with this!!!! When you’ve learned that, you can have your posh boxes back!” Talk about a wake up call!

Next instalment coming very soon….

International Judging and Scoring systems in Photography – Part 3

Welcome to part 3 in my series. I hope you all find the scoring matrix a useful tool…

SCORING IN ACTION

So what exactly do the scores received relate to? I hope that in the matrix below the terminology may shed light on some of this mystery. This matrix that may be used to gauge the scores you may receive in an image competition but the descriptions and point breaks may vary slightly but nevertheless is pretty accurate worldwide.

Image Competition Judging –  Average Formulae across multiple bodies

0  –  49   Below acceptable ‘Professional’ quality in any area

50 – 59   Very poor but with evidence of some potential

60 – 65   The beginnings of understanding required technique

66 – 69   The absolute basics of technique are understood but largely ignored

70 – 75   Competent in the expectations of professional quality

76 – 79   Well crafted and demonstrating potential

80 – 90   Images of particular distinction

91 – 100  An image of outstanding quality

 

In many countries a score of 80 points would be the mark at which an actual award is made and may be called a ‘merit’. The achievement of a ‘merit’ may honestly denote the ‘Artist’ as an ‘Award Winning Photographer’ but certainly not below this internationally recognised benchmark. As to what constitutes a score of 80 and above is concerned, that will always be a ‘moveable feast’ dependent on the general overall quality of submissions into any given competition. A skilful and experienced Chairman will always run the previous years winning entries (if available) in front of his current panel of Jurors to ‘warm them up’ to the judging process. It is therefore essential to set the benchmarks as early as possible to ensure a smooth and effective judging.

 

International Judging & Scoring Systems in Photography – Part 1

Over the course of may years, I have been faced with a huge number of questions questions regarding image competitions. If I had a pound for every time someone asked me “Martin, why didn’t this score a Merit?” (A ‘Merit’ is an image scoring 80 points or more in the system of most well known photographic organisations in the World) then I would be an incredibly wealthy man with no aspirations on winning the lottery! But perhaps I can at least go into the criteria and scoring systems as adopted by the majority of the professional and vocational bodies in the world together with reputable worldwide, international and national competitions and shed a little light on what should not be one of the great mysteries of our age. The true aim of this is to enlighten those who aspire to Qualifications and Distinctions or simply want a fighting chance in an image competition!

Thus follows a 12 part series on the science, systems, magic and mystery of International Judging and Scoring Systems in Photography…

THE MECHANICS

So how are images judged? Well this too varies considerably but in those countries who have adopted the numerical scoring system images are ‘judged on the box’, which is to say using five judges who enter scores on a keypad attached to what is essential a big calculator that averages out the scores that are announced by the Chairman of the panel. If there is a significant variance in the average scores by a margin of 10 points or more the machine goes into overdrive, begins flashing and alerts the Chairman of the anomaly. At this point an ‘automatic challenge’ takes place by which the judges are called upon to justify their respective scores. This process is certainly one of the most valuable and entertaining in ‘open judging’ where so much is to be learned by an eager and enthusiastic audience hoping to glean words of wisdom and interpretation from esteemed ‘experts’ that constitute the panel of judges.

Wherever and whenever an electronic system is unavailable then there is an option to score manually, using an Excel Spreadsheet or similar to undertake the calculations. This is quite straightforward.

Some countries are in the process of developing or having already developed systems to function as “Apple iPad, iPhone or iPod Touch applications that basically equate to the old ‘electronic box’ option as originated in the USA.

These are the ‘Mechanics’ of judging and scoring a traditional ‘Print’ Competition, but the world of digital presents many new challenges. In essence, the methods remain the same but the Judges MUST be sufficiently experienced to understand the limitations of digital projection or online assessment on unmatched monitors in multiple locations.*