Portfolio Reviews at Photography Live Dubai 2017

At the year’s Photography Live Dubai 4th-6th May Martin will be holding a series of Portfolio Reviews during the show. So, if you’re wanting an appraisal of your images from one of the very best in the world, here’s your chance. Whether it’s an opinion on your chances in competitions, awards or even qualifications, Martin Grahame-Dunn has helped literally thousands of photographers all over the world realise their potential. Martin first brought portfolio reviews to the UAE with HIPA and many photographers have enjoyed great success following his advice. Now you can book your one to one session with him at Photography Live Dubai. But remember, there are only 24 slots available over the three show days!

There is nothing better than a one to one portfolio review to discuss your work and your passion!

A 20 minute session costs only 200Dhs and is incredible value. To book your one to one session with Martin email him at: mgrahamedunn@mac.com

Professional Qualifications in Denmark with the dff

As I am constantly travelling and delivering education, training and mentoring of a global basis, I thought I’d give some thought in this post to the differences of delivery to the dff, the world’s second oldest organisation for professional photographers. So here goes….

A synopsis of the two different level workshops.

  1. Master
  2. Qualified Master

The Workshop for aspiring ’Masters’ (BIPP and MPA Licentiate equivalent) covers the minimum basic requirements to qualify as a dff “Master’ photographer. The key elements of camera craft, lighting, composition and posing (where appropriate in people photography) are examined and developed in a mixed theory/practical workshop. Demonstrations are given in posing and handling groups in particular. Simplistic but effective lighting techniques are demonstrated and discussed illustrating the better known and used lighting patterns. Individual appraisals are undertaken of each applicants work and in group format, planning, presentation and layout for a digital submission is introduced as another essential element for success.

The Workshop for aspiring ‘Qualified Masters’ (BIPP and MPA Associate equivalent) examines not only the more substantial requirements to achieve a higher level of qualification but also instils the need to understand and practice self appraisal in a constructively critical manner. This is not simply a ‘top up’ of the M workshop as it requires a fresh start by all candidates where there can be little or no reliance on a current and past portfolio. Attaining a higher degree of qualification requires a serious commitment and investment in your future. Increased standards of imaging and ethics undoubtedly result in a better client experience. There are obviously a few areas of common ground between all levels of qualification but these escalate exponentially as the levels and requirements rise. This is a dynamic workshop integrating discussions and planning sessions focussing on personal continuous professional development. Lateral thought will be encouraged and a better understanding of the importance and implications of one to one Mentoring discussed. Your trainer will also explain in detail the systematic approach to conceptualising, planning and executing a person project as the base of your qualification.

If you’re interested in progressing your professional qualifications or simply improving the standard of your imaging, contact me.

Painting with Light at The Tate Britain – Art and Photography from the Pre-Raphaelites to the modern age

This exhibition that goes back to the dawn of Photography and its relationship with artists, most particularly those of the Pre-Raphaelite Brotherhood, is well worth a visit. What struck me most was the inception of the age-old debate, “Is photography art?” that still rages today. Certainly in the professional world, the category of Fine Art Photography has often found itself to be a dumping ground for all those images produced that simply do not seem to fit in the other more traditional categories.

Curator Hope Kingsley, makes a most pertinent statement that I wholly concur with. “Photographs share a simple consonance with other works of visual art in the formal components of a picture – composition and framing, attention to areas of light and shadow, and image resolution in distinctness or diffusion.”

In my own work I have striven to produce images that to me are more art with a camera, where it is just another choice between a brush and a palette knife where my pigments, tones and textures are moved around my canvasses with the same dexterity had I chosen more traditional or accepted means of producing fine art. My gallery of finished pieces and studies to accompany my partner Kate’s second poetry collection and constitute a submission to the BIPP is all but complete. I have had a working title for some time but driven by a hunger for more research and thought into the justification of photography as just another manifestation of art has led me to finding another in a volume portraying “The tragedy of a Pre-Raphaelite Supermodel – Lizzie Siddall”*…

Ars Longa Vita Brevis – art endures, life is brief

*Lucinda Hawkesley – André Deutsch, Carlton Publishing Group 2004

The Photography of Fatma Fahmy – Egypt

First a quote from this young lady rationalising her photography and the motivation behind it.

“Photography is another world to me. It allows me to live different lives of different people. It allows me to stop moments in time by capturing them to show the world the beauty that possessed my heart and soul and make it last forever. I wish I could affect people’s lives with this magnificent art.”

Fatma Fahmy – Cairo, Egypt

For this post I have decided to review a number of images submitted to me last month. The collection are well crafted and composed showing a variety of content that adds credence to her statement. They are a combination of what in the west we would call ‘Street Photography’ and more controlled, observational portraiture.

"Eye Contact" by Fatma Fahmy

“Eye Contact” by Fatma Fahmy

This image entitled “Eye Contact” does exactly what it says. It directly engages with the viewer with a delightfully captured expression that shows the happiness of a child no mater what his domestic environment, social background, living conditions or wealth. Simplicity is golden here and one cannot fail to empathise with this little boy. If one of the tools of a photographer is to create images that contain a story, then the story of this child’s life is is to be written by the viewer based upon its content. In truth, the off centre composition is not particularly necessary and does not add power or dynamics. The subject could have been centrally placed for that matter as the viewer finds it virtually impossible to stray their gaze from those eyes that express a simple, joy of life.

"Fisherman's Net" by Fatma Fahmy

“Fisherman’s Net” by Fatma Fahmy

As a contrast, quite a lot of work has gone into this image, photographically with good control of depth of field, compositionally by careful subject placement and in post processing where the problems lie. My best advice to Fatma is ‘less is more’ and although this is a good composition, a clear storyline, convincingly engaged subject, the processing has left a few artefacts and issues that could easily be resolved. When such processing issues are visible they can detract from the all important content contained in the image, the subject themselves and the narrative.

Martin Grahame-Dunn 2016

Themed Portrait Workshop – The Peak District, Derbyshire – 2 PLACES REMAINING

This intimate, hands on workshop will take you on an exciting journey of creating beautiful themed costume portraits inspired by classic romantic literature, on locations in the stunning Peak District of Derbyshire. With only two places left its a perfect opportunity to expand your knowledge and skills under expert supervision.

An example of a themed costume portrait entitled "Immortal Love". Shot on location in Pembrokeshire as a poetic illustration.

An example of a themed costume portrait entitled “Immortal Love”. Shot on location in Pembrokeshire as a poetic illustration.

“I will instruct you how to see and use beautiful natural light, control it and create visually powerful images that will be transformed from your camera, into photographic art. Using the themes of period romantic literature I will teach you how to pose your subjects, placed within rugged and dramatic locations, to not only complement your subject but to tell your story.”

What you will learn
  • How to plan your shoot and tell your story
  • How to use natural light and shade to create stunning images.
  • How to select backgrounds and environments to bring interest, emotion and drama into your photographic artworks.
  • How to find flattering and interesting perspectives through the art and science of physiognomy.
  • Getting it right in camera.
  • Which lens(es) to choose and why.
  • Effective techniques to create a rapport with your subjects with true storytelling images.
  • How to create a unique portrait experience in your day to day work and look to compliment each subject’s personality and style.
  • How to use wardrobe and posing to bring out the drama and personality of your subjects.
  • How to create ‘Photographic Art’ through creative processing techniques.
What you will need
  • A DSLR with a full battery and empty memory card and a reasonable understanding of how to use your camera and its settings.
  • A laptop to download and edit your images
  • Any lenses or accessories you want to use.
  • A handheld reflector if you have one.
  • An umbrella if it looks like rain.
  • Practical clothes and shoes you can easily move around in.
WHEN – Sunday 24th & Monday 25th July 2016 from 10:00 AM to 5:00 PM each day
WHO FOR – Any Photographer or Aspiring Photographic Artist, Painter, Poet or Author wishing to expand their skills
WHERE – Locations in The Peak District National Park, Derbyshire.
WORKSHOP PLACES – are available at only £495.00. Secure yours with a £100 deposit today. Only TWO LEFT!
email at: mgrahamedunn@mac.com

Ahmed Gaber – Aged 19 – A young Egyptian Photographer with something to say

The next in my series of constructive critiques of the work of young Egyptian photographers. When I asked Mohamed Mahdy to arrange this I could not have hoed for a more enthusiastic group of young people.

Ahmed Gaber text

This image entitled “Break Time” shows great insight and a natural flair for composition in its simplistic, documentary approach. It just goes to show that his opening statement is humble as he clearly demonstrates a budding talent with a good eye for an image.

"Break Time" by Ahmed Gaber, aged 19 from Egypt

“Break Time” by Ahmed Gaber, aged 19 from Egypt

Even thought there are differing points of subject engagement and interest, Ahmed has worked hard on subject placement within the frame and constraints of his DSLR. All to often we hear the terms “fill the frame”, but to do so effectively one should ensure that the content is properly constrained. He has grasped the premise that space around subjects is golden. To enable them to live and breathe giving life and credibility to the animation. ‘Street’ images of this kind are not all about exercising absolute control of your subjects. Rather to affect the composition by placing yourself in the right place and controlling the content of you capture. Well done Ahmed, I can some great images will emerge from this young image maker.

 

Martin Grahame-Dunn – April 2016

From my Mentee – Allen Thomasson LBIPP

Thanks to my Mentee, Allen Thomasson of Timeless Portraiture for this testimonial…
I discovered Martin completely by accident whilst reviewing some business webinars on the Imagefile website. His no nonsense approach to business and photography was refreshing and I thought that is what I need, clear concise advice and critique. So I joined Martins’ Mentoring Programme in April 2015 and can say it is the best thing I have done for my photography and confidence as a photographer. 
With Martin’s support and guidance, I submitted a panel of 5 portraits for the BIPP National Photography Competition in October 2015. In February I attend the awards evening at the BIPP HQ and was chuffed to be awarded joint winner of the Provisional Photographer of the Year 2016. I was also successful in gaining my L’ plates on 3rd March 2016 when my panel of 25 portraits was assessed and awarded my Licentiateship (LBIPP). I really believe that I would not have achieved this without Martin.
Martin is a great teacher; putting you at ease, generous with his knowledge and skills of the craft and encouraging  you to constantly improve and learn. When creating portraits I now hear a voice saying ”Step back. Don’t zoom”, “lighting; Flag it! Vary it!”. 
Do your photography a favour and ask Martin to mentor you and realise your potential. Thank you Martin.
Allen Thomasson – April 2016

“Nubian Man” by Yasser Alaa Mobarak – Egypt

“My name is Yasser. I’m 23-year-old, award-winning amateur photographer based in Alexandria, Egypt. I’m Sony World Photography Awards commended photographer. I won photography prizes from The International Federation of Photographic Art, National Geographic Egypt, Photographic Society of America and Prix De La Photographie Paris.

I’m a holder of AFIAP distinctions from the International Federation of Photographic Art and holder of Associateship from Image Colleague Society International. I were judge in the photoessay category at Adobe Youth Voices Awards 2014 and in the visual composition category at Adobe Youth Voices Awards 2015. Also I were judge twice in Romania National Creativity Contest.

I saw your constructive powerful artistic critique on the photographs of my Egyptian colleagues. I will be pleased if you can give me the honor by critiquing one of my photographs.
Thank you. Greetings from Egypt.”

Yasser Alaa Mobarak,
International Youth Representative,
International Education and Resource Network
This delightful request appeared in my email just a few days ago. It’s particularly pleasing to know that constructive image critiques are appreciated so much, so I have much pleasure in complying with this young man’s request…..
"Nubian Man" by Yasser Alaa Mobarek - Egypt

“Nubian Man” by Yasser Alaa Mobarek – Egypt

Entitled “Nubian Man” this observational portrait is generally well composed but a little too tight in the frame. To add space around one’s images is to give them ‘room to breathe’ and add further context. Just perhaps, a moment captured with direct eye contact may have been more powerful. If one looks to the subjects eyes, there is a clear catchlight. The benefit of such a catchlight is to draw the viewers eyes to a definitive point of engagement. In this case it lies in the white of the eyes and results in a disengagement. Yasser, please try to tone down the processing which can often be a problem to the eyes of a photographic judge. Perhaps experiment with Nik Software by Google but learn to use it in a delicate way. The subtle tones do the image justice and are to be applauded. Well done young man and continue to follow your passion.

Martin Grahame-Dunn – April 2016

Belal Yousry – “Life of Music”

A wonderful statement by 16 year old Egyptian photographer, Belal Yousry. This young man has far to go!

A wonderful statement by 16 year old Egyptian photographer, Belal Yousry. This young man has far to go!

At only 16 years of age, this creative thinking Egyptian photographer has been producing surreal images with his new-found skills of digital manipulation and a love of photography that is clearly a medium with which he can express himself. I am sure that as his experience and knowledge of technique grows, we will see greater things emerge.

"Life of Music" by Belal Yousry

“Life of Music” by Belal Yousry

The constituent elements are well composited and conceived, but Belal would do well to look at specific lighting directions and the resulting shadows to make this image more plausible. Perhaps if the music in the background was in more of a wave form it could add motion to an otherwise static image. Even though the subjects are statues, implied movement, more depth and density, would increase the drama and narrative. Even to consider ‘flipping’ the statues to constrain the interest may change the nature of this image. In conclusion, research surrealism in art. Study experts in the field of digital manipulation and continue to set your mind free!

Martin Grahame-Dunn – April 2016

New Testimonial – Darren Powell

Fun and games at the reception - Darren Powell taking centre stage!

Fun and games at the reception – Darren Powell taking centre stage!

When a testimonial says it all…..

“I may be biased, but I would argue that Martin is the best mentor/photography trainer out there! I first met Martin on a natural lighting course he ran 2 years ago and his passion and knowledge blew me away. Martin is extremely talented and has a rare ability to not only take great images himself but dramatically improve those of others. The development of my images over a short period of time has been nothing other than remarkable. If your looking at developing your photography skills or need ongoing support I would highly recommend any courses or workshops ran by Martin”

Darren Powell – 2016